Since his self-described “divorce” from the rest of the Yale English department in the 1970s, Bloom had already been torpedoing in this direction. By the time he released his best major polemic, The Western Canon, in 1994, he’d become the figurehead for discontent with university English programs, and with the many strands of critical theory and historicism in vogue there (which he referred to indiscriminately as the “school of resentment”). In print, in television interviews, in lectures, the old sad-eyed pontifical critic decried and deplored the state of literary studies across America and the U.K., never tiring of railing against it. Academics have never really forgiven him for it—nor, I suspect, have they forgiven him for having a public audience.
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